You don’t have to select a whole paragraph to apply the alignment option – just click anywhere within the paragraph. From left to right, they offer left-align (which is the default), centred, right-align and fully justified. More than one of these may be applied to selected text.įrom the next four icons, only one can apply to a paragraph as they are mutually exclusive. The first three are toggle buttons for bold (B), italic ( I) and underscore (U). The next two sections of the formatting toolbar feature symbols that appear in most word processing software. On the Formatting bar: Character attributes and text alignment Not all font family offer multiple options.įor example, Microsoft Sans Serif only has Regular typeface available. For Times New Roman, these are shown in the Font Panel, but also if you click on Regular, all four are revealed. There are always lots of ways of achieving the same end result! Typefaceįor each font family, there might be as many as four typefaces available. If you click on the arrows to the right of the toolbar control for size, its dropdown menu also offers Font Panel which reveals the window shown above. ![]() You can also control the size here, or via the toolbar control. ![]() So, you can select that within this window or via the toolbar control. If you click on Show Fonts, a window opens which also lists the typeface options for this font family. ’ option, and this is followed by an alphabetical list of all available fonts, and how they look. If you click on the arrows to the right of it, the whole list of available font families is revealed.Īt the top, the font families I’ve used are listed. The next field shows Times New Roman, which is the name of a font family. The important thing is that I have distinguished between those paragraphs which start a section of text and those that follow. When it’s time to compile, if I were to change my mind and preferred a blocked style (no indents but a space line between paragraphs), I would need only to tweak the styles within Compile. I apply ‘AR Para fully blocked’ to all paragraphs that appear at the start of a scene (document) and ‘AR Para indented first line’ to all other paragraphs. In particular, ‘AR Para fully blocked’ and ‘AR Para indented first line’ provide styles to give a professional finish to your manuscript. These three styles are what I call the essential styles. Notice also that I have set up three styles in addition to the default ones provided by Literature & Latte. The a indicates a character attribute, like bold, italic, underline, etc.This kind of preset includes any ruler settings (discussed in the previous blog post) as well as alignment and line-spacing (both covered below). ![]() The backward P indicates a paragraph style.If no text is selected, the changes apply to the current caret position onwards.Ĭlicking on the first down arrow reveals your formatting presets – your styles. These four controls, when changed, act on any selected text. On the Formatting bar: Style, font face, font variant and point size Let’s look at this tool bar, one section at a time. If your window width is a bit wider, it changes to reveal the Style. Your formatting bar which appears above the Editing pane might look like this. However, the same strategy works when you are setting up the format for your section types within Compile, and that’s covered too within this blog post. In this post, I’m focusing first on formatting onscreen. The many options that affect the appearance of your manuscript onscreen and on the page are controlled through the formatting bar.
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